John Keats · first published 1819
Ode to a Nightingale
Meaning, complete text, stanza guide, vocabulary, techniques and an explained quiz.
What the poem means
Hearing a nightingale, the speaker longs to leave human suffering through wine, poetry and even death, but cannot remain inside the imagined escape.
The ode repeatedly crosses between bodily heaviness and the bird's unseen song, expanding the voice into history and legend before one word recalls the speaker to himself. The fading music leaves an unresolved question—vision or waking dream—so the imaginative journey matters even though it cannot last.
The poem
Spelling and punctuation follow the checked source edition. Stanza links connect the text to the guide and quiz.
Stanza 1. My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk: 'Tis not through envy of thy happy lot, But being too happy in thine happiness,-- That thou, light-winged Dryad of the trees In some melodious plot Of beechen green, and shadows numberless, Singest of summer in full-throated ease.
Stanza 2. O, for a draught of vintage! that hath been Cool'd a long age in the deep-delved earth, Tasting of Flora and the country green, Dance, and Provençal song, and sunburnt mirth! O for a beaker full of the warm South, Full of the true, the blushful Hippocrene, With beaded bubbles winking at the brim, And purple-stained mouth; That I might drink, and leave the world unseen, And with thee fade away into the forest dim:
Stanza 3. Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last gray hairs, Where youth grows pale, and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs, Where Beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow.
Stanza 4. Away! away! for I will fly to thee, Not charioted by Bacchus and his pards, But on the viewless wings of Poesy, Though the dull brain perplexes and retards: Already with thee! tender is the night, And haply the Queen-Moon is on her throne, Cluster'd around by all her starry Fays; But here there is no light, Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways.
Stanza 5. I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But, in embalmed darkness, guess each sweet Wherewith the seasonable month endows The grass, the thicket, and the fruit-tree wild; White hawthorn, and the pastoral eglantine; Fast fading violets cover'd up in leaves; And mid-May's eldest child, The coming musk-rose, full of dewy wine, The murmurous haunt of flies on summer eves.
Stanza 6. Darkling I listen; and, for many a time I have been half in love with easeful Death, Call'd him soft names in many a mused rhyme, To take into the air my quiet breath; Now more than ever seems it rich to die, To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad In such an ecstasy! Still wouldst thou sing, and I have ears in vain-- To thy high requiem become a sod.
Stanza 7. Thou wast not born for death, immortal Bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown: Perhaps the self-same song that found a path Through the sad heart of Ruth, when, sick for home, She stood in tears amid the alien corn; The same that oft-times hath Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn.
Stanza 8. Forlorn! the very word is like a bell To toll me back from thee to my sole self! Adieu! the fancy cannot cheat so well As she is fam'd to do, deceiving elf. Adieu! adieu! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream? Fled is that music:--Do I wake or sleep?
Stanza guide
Stanzas 1–8
Eight stanzas trace a changing argument: numbness, proposed escape, imaginative flight, sensuous darkness, attraction to death, imagined immortality and return. The bird is not literally immortal; its recurring song represents continuity beyond one listener's life.
Return to stanza 1 ↑Vocabulary
- hemlock
- a poisonous plant and the drink made from it
- Lethe
- the river of forgetfulness in Greek mythology
- requiem
- music or a service for the dead
Literary techniques
Apostrophe
the speaker addresses the unseen bird
Address turns private listening into a dramatic conversation.
Sensory imagery
wine, flowers, darkness and sound
Layered senses make an imagined forest vivid even when sight fails.
Volta
“Forlorn!” recalls the speaker
A single repeated word breaks the fantasy and changes the poem's direction.
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